The Flint Institute of Arts believes an effective way to enhance its reputation as an important cultural institution is to lend works of art from its permanent collection to other institutions. Lending art from the permanent collection promotes collegial relationships betweens museums, and provides national and international audiences exposure to works of art from the FIA's outstanding collection. In addition, the FIA also borrows works from other museums, galleries, and collectors to supplement its permanent collection and exhibitions.
The Cult of the Machine: Precision in American Art
9.16.18 – 1.6.19
Dallas Museum of Art
Dallas, Texas
Edmund Lewandowski, American, 1914–1998. Dynamo, 1948. Oil on canvas. 36 1/8 x 30 7/8 inches. Gift of Mr. and Mrs. Harold L. Frank, by exchange, 1993.38
A Dark Place of Dreams: Louise Nevelson with Chakaia Booker, Lauren Fensterstock, and Kate Gilmore
9.28.18 – 1.6.19
Gibbes Museum of Art
Charleston, South Carolina
Chakaia Booker, American, born 1953. India Blue, 2001. Rubber tires and wood. 73 x 43 x 48 inches. Bequest of Russell J. Cameron, by exchange, and partial gift from the Friends of Modern Art, 2002.11
Charles White: A Retrospective
10.2.18 – 1.13.18
The Museum of Modern Art
New York, New York
3.3.18 – 6.9.19
Los Angeles County Museum of Art
Los Angeles, California
Charles White, American, 1918–1979. Wanted Poster Series #17, 1971. Oil on pencil on poster board. 60 x 30 inches. Gift of Mr. and Mrs. B. Morris Pelavin, 1971.43
John Singer Sargent
10.4.18 – 1.13.19
Nationalmuseum
Stockholm, Sweden
John Singer Sargent, American, born Italy, 1856–1925. Garden Study of the Vickers Children, 1884. Oil on canvas. 54 1/2 x 36 inches. Gift of the Viola E. Bray Charitable Trust via Mr. and Mrs. William L. Richards, 1972.47
Nature’s Nation: American Art and Environment
2.2.19 – 5.5.19
Peabody Essex Museum
Salem, Massachusetts
5.25.19 – 5.5.19
Crystal Bridges Museum of American Art
Bentonville, Arkansas
Hughie Lee-Smith, American, 1915–1999. Slum Lad, ca. 1960. Oil on canvas. 26 x 32 inches. Courtesy of the Isabel Foundation Inlander Collection, L2003.80
© 2018 Estate of Hughie Lee-Smith / Licensed by VAGA at ARS, NY
Once Upon a Time in America: Three Centuries of US-American Art
11.23.18 – 3.24.19
Wallraf-Richartz-Museum & Fondation Corboud
Cologne, Germany
Erastus Salisbury Field, American, 1805–1900. The Taj Mahal, ca. 1850. Oil on canvas. 24 1/4 x 34 1/8 inches. Gift of Edgar William and Bernice Chrysler Garbisch, 1968.20
Between Form and Content: Perspectives on Jacob Lawrence and Black Mountain College
9.28.18 – 1.12.19
Black Mountain College Museum and Arts Center
Asheville, North Carolina
Jacob Lawrence, American, 1917–2000. South African Gold Miners, 1946. Gouache on paper. 20 1/4 x 19 1/2 inches. Museum purchase with a grant from the Harvey J. Mallery Charitable Trust, 1991.23. © 2018 The Jacob and Gwendolyn Knight Lawrence Foundation, Seattle / Artists Rights Society (ARS), New York
The Color of the Moon
2.9.19 – 5.12.19
Hudson River Museum
Yonkers, New York
6.1.19 –9.8.19
James A. Michener Art Museum
Doylestown, Pennsylvania
Thomas Chambers, American, born England, 1808–1869. Old Sleepy Hollow Church, ca. 1850. Oil on canvas. 18 3/4 x 22 3/8 inches. Gift of Edgar William and Bernice Chrysler Garbisch, 1968.18
