Ntombephi “Induna” Ntobela, My Sea, My Sister, My Tears, 2011. Glass beads sewn onto fabric. 24 x 24 ⅜ inches

Ubuhle Women: Beadwork and the Art of Independence

January 21, 2018 - March 31, 2018

Hodge Galleries

This exhibition showcases a new form of bead art, the ndwango (which translates to “cloth”), developed by a community of women living and working together in rural South Africa. The Ubuhle artists use black fabric, reminiscent of the headscarves and skirts they wore growing up, as a canvas for intricate beaded works of art. Ubuhle [pronounced Ub-Buk-lay] means “beauty” in the Xhosa and Zulu languages, and eloquently describes the shimmering quality of light on glass that is present in the ndwangos.

Ubhule Women: Beadwork and the Art of Independence was developed by the Smithsonian Anacostia Community Museum, Washington, DC in cooperation with Curators Bev Gibson, Ubuhle Beads, and James Green, and is organized for tour by International Arts and Artists.

Exhibition Info

From the Exhibition

  • Nontanga Manguthsane. African Crucifixion, n.d.
    Glass beads sewn onto fabric. 177 1/2 × 275 3/4 × 16 inches (450.9 × 700.4 × 40.6 cm). The Ubuhle Private Collection & Private Collection

  • Zondile Zondo. Flowers for the Gods, 2012. Glass beads sewn onto fabric. 51 × 21 3/8 × 2 in. (129.5 × 54.3 × 5.1 cm). The Ubuhle Private Collection.

  • Bongiswa Ntobela. Funky Bull, 2006. Glass beads sewn onto fabric. 49 1/4 × 84 in. (125.1 × 213.4 cm). The Ubuhle Private Collection.

  • Thando Ntobela, South African. Ankoli Bull, 2013. Glass beads sewn onto fabric. 50 1/2 × 67 7/8 × 2 in. (128.3 × 172.4 × 5.1 cm). Private Collection.

  • Zondile Zondo. My Mother's Peach Tree, 2012. Glass beads sewn onto fabric. 21 3/4 × 21 1/4 × 1 in. (55.2 ×

    54 × 2.5 cm). The Ubuhle Private Collection.

  • Zondile Zondo. I am ill, I still see Color and Beauty: Jamludi The Red Cow, 2012. Glass beads sewn onto fabric. 49 × 64 1/4 × 2 in. (124.5 × 163.2 × 5.1 cm). Private Collection.

Cameron Gray, Swiss, b. 1980. Thinking Hurts Too Much (detail), 2013. Video, monitor and media player. Museum purchase with funds from the Collection Endowment, 2013.63

Thinking Hurts Too Much

March 1, 2018 - April 20, 2018

Media Arts Gallery

Thinking Hurts Too Much is a slowly scrolling video that incorporates found and manipulated internet footage, creating a panoramic collage of gyrating, pulsing, and writhing characters to expose America’s—and the world’s—desire for the sensational. Cameron Gray pieces together thousands of pop culture images to offer a provocative and poignant depiction of excess and the constant urge to seek new and more extreme visual stimulation. 

The video is an immersive experience that is constantly changing, as your eye moves from one area to the next, dancing across a screen that never stops moving. In doing so, Gray makes us aware of the passage of time as we witness the reactions of other viewers standing next to us—reminding us of the separation that results from unshared memory.

Exhibition Info

Utagawa Hiroshige, Japanese, 1797–1858. Harbor Scene, early–mid 19th century. Woodblock on paper. 13 1/4 x 8 3/4 inches. Gift of Mrs. Ralph Harman Booth, 1942.8

Rhythms and Experiences: Everyday Life in 19th-century Japanese Prints

January 13, 2018 - April 15, 2018

Graphics Gallery

This exhibition of Japanese prints, mostly from the 19th century, takes viewers into the quiet rhythms and familiar habits of the everyday. Japanese art and life were focused on telling stories about ordinary people. The prints feature numerous themes from both urban and country life, including pilgrimages to sacred sites, going to the theatre, and undertaking difficult journeys. Ranging from brothels to sacred mountains, Japan’s art of this time documents a look into their life and culture. Guest curator Dr. Sarah Lippert presents a lecture on the exhibition on March 14 at 6:00p in the FIA Theater. The event is free and open to the public.

The Graphics Gallery is sponsored by

Exhibition Info

Huntington Free Saturdaysnext